For forty years we have spoken of ‘postmodernity’. But who has really grasped the implications this holds for us as individuals? Who has equated it with the emergence of a fundamentally different human being? Relativising reason according to feeling and emotion, relinquishing his status as ‘individual’ to make way for a pluralistic nature, neglecting his civic duty to devote more time to his tribe, the postmodern man abandons almost everything his predecessor held dear.
Journalist Brice Perrier asked Michel Maffesoli and his team of researchers to create a portrait of this new human being to help us think beyond the now outdated intellectual mindsets of modernity. The result: L’Homme Postmoderne. With contributions from CeaQ researchers Émilie Coutant, Aurélien Fouillet, Stéphane Hugon, Philippe Joron, Raphaël Josset, Anthony Mahé, Thierry Mathé, Yves Mirande, Gaspard Nuiter, Olivier Sirost, Hélène Strohl, and Secessio editors Fabio La Rocca and Vincenzo Susca, this book maps out the landscape of the contemporary social world, helping up to understand who we are now. Francophone readers can download the introductory chapter in PDF form here.
By Anais Ginori
After the advancement of freedom during modernity, the defining characteristic of the postmodern era is dependence. We exist today only through the eyes of others. The new book by French sociologist Michel Maffesoli, entitled Homo Eroticus, analyses our relationship with emotion in the contemporary world.
The latest stage in the evolution of our species is the homo eroticus, for whom emotion takes precedence over reason, impulse over reflection, pleasure over duty. “Eros now triumphs, both in private and public”, says Maffesoli, whose book is devoted to this new anthropological figure that has emerged in counterpoint to the homo sapiens. For Maffesoli, homo eroticus – the human being driven by desire – is at the centre of what is now known as postmodernity. Our actions are no longer a function of intellectualisation and reason, but of love, the intricate weave of emotion that surrounds us, which Maffesoli calls “emotional communion”.
In his view this is the culmination of a process that began in the West with the liberation of morals in the 1960s, and has since been strengthened by the development of new technologies, the retreat of religion, and finally the crisis of capitalism. Identity is now shaped by the law of desire, with profound repercussions in the body social. From culture to politics, everything is subject to the rule of pleasure. The paradox of this ‘liberated’ love, Maffesoli warns, is that human beings have created even more interdependence. ‘We exist only through the eyes of others’. Continue reading
Spring 2012 has seen something of an explosion of happenings in Britain connected with the Slovenian-origin “State in time” NSK-State. This is the ‘state’ declared in 1992 by the Llubljana-based arts collective (more properly perhaps, collective of collectives) Neue Slowenische Kunst (‘New Slovenian Art’ – but the fact that is in German is not without significance). So Calvert 22, the Russian-owned art gallery in Shoreditch, London, is currently hosting a sort of dual exhibition on the NSK, running until June 24th 2012.
Upstairs we find Irwin (one of the ‘collectives’, who mainly work in fine arts) and their exhibition “Time for a New State”. The work there includes paintings, interspersed with animal taxidermy exhibits, video installations and the like. Downstairs there is an exhibition of folk art, including ceramic plates, video interviews, and a rather Beuys-like sledge-type piece, produced by citizens of the NSK State. There are currently around 14,000 such citizens – people who have sent around 25 euros and an application form to an information bureau in Llubljana and received their NSK passport in return. Urban legends – some of which may or may not have some basis in truth – about these documents’ use as ‘real’ passports abound, such as the alleged pre-2001 entry into the USA by one citizen using only their NSK documentation.